The Mission Never Again Album Versionwmv
The Well-Tempered Clavier: Download an Open Version of J.S. Bach's Masterpiece
In 2012, the Japanese-German language classical musician Kimiko Ishizaka made available to the world an open version of J.Southward. Bach'southGoldberg Variations performed on a Bösendorfer 290 Regal pianoforte in Berlin. Funded past a Kickstarter campaign, the recording was released nether a Creative Eatables Zero license, which essentially put the music straight into the public domain.
Yesterday we discovered, thank you to one of our readers, Ishizaka's follow-upward to The Open up Goldberg Variations — The Open Well-Tempered Clavier, Book 1. Also Kickstarter-funded and released under a Artistic Commons license, her new production puts 48 Preludes and Fugues into the eatables. Explaining the importance of The Well-Tempered Clavier, Alexandre Prokoudine writes over at Libre Graphics World:
Amidst classical music connoisseurs, the Well-Tempered Clavier Volume i (WTC, or "the 48" for short) is widely regarded as one of the most influential works by J.South. Bach. Here is why.
For a long fourth dimension instruments used to be tuned in such intervals between notes that transposition (playing a melody in a key different from the originally intended one) usually produced a melody that was clearly out of melody. Finding the right intervals was an interesting mathematical problem to solve, and information technology was done in the 17th century by Andreas Werckmeister.
So while J.S. Bach didn't invent well-tempered tuning, the 48 was his major, if not defining contribution to making it popular, as the 48 was pretty much The Music Theory Bible for generations of composers…
Historical value aside, the 48 is simply beautiful and elegantly sophisticated music (with score laid out in up to four voices, yet played by a single musician). If this is the first fourth dimension yous are listening to WTC, I officially green-eyed you lot, because are nearly to notice something very special.
You can get the Open Well-Tempered Clavier as a complimentary download here (please read the instructions on the folio), or stream it above. You lot can also back up the creative person and purchase the download for a fee of your choice, or buy a CD version over on Amazon.
As for what you lot tin await from Kimiko Ishizaka next, look out for a recording of the Chopin Préludes on a Pleyel piano — the same pianoforte Chopin played himself all those years ago.
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JS Bach'southward The Well-Tempered Clavier Artistically Blithe with Pulsing Neon Lights
David Bowie Newspaper Dolls Recreate Some of the Style Icon's Most Famous Looks
Perform an internet search on the phrase "David Bowie Newspaper Doll" and what practice you get? Hint: it'due south not a embrace of the Mills Brothers hit. David Bowie newspaper dolls are proliferating in astonishing numbers.
Acuminate your scissors and behold!
The nearly comprehensive career representation is the Sparse White Paper Doll Cutout Heather Collett designed for the Canadian Broadcasting Corporation (above). There's even a printer friendly version for those who are serious nearly playing with Aladdin Sane, Ziggy Stardust, Labyrinth's Goblin King, and other Bowie alter egos.
But expect! There's more…
Elusive designer Vodka Caramel's Astonishing 70'south Bowie Paper Doll celebrates some of our hero's most glamorous looks, but saddles him with the crotch of a Ken doll and no fewer than four interchangeable heads! And we thought the Thin White Paper Doll's coiffure socks were an indignity.
A Spanish fan observed Bowie's 65th birthday by updating the abbreviated tighty whities of a notorious 1973 photo shoot to a pocket-sized pair of standard issue Y-fronts. Interestingly, this newspaper doll's suspendered Halloween Jack suit arrives with burl intact.
Points to Serge Baeken above for recognizing the paper doll possibilities in the Pierrot costume Bowie sported in the video for 1980's "Ashes to Ashes." (Fun fact: Bowie made his theatrical debut—and wrote the music for—a bizarre 1968 pantomime nigh Pierrot…. His character'due south name was "Deject")
Creative person Claudia Varosio's entry in the Bowie paper doll stakes could pass as illustrations for a 1970'south children's book. Title? Boys Keep Swinging, afterward a cut from Bowie's 1979 Lodger album. Celibate young girls would beloved the t-shirted, non-threatening Bowie.
The comparatively conservative, total-faced Bowie above comes to united states via Swedish family magazine Året Runt. I may never learn some other discussion of Swedish, but thanks to David Bowie, I tin can now say paper doll (klippdockor).In appreciation, allow me to share another example of David Bowie klippdockor…
If it all starts seeming a bit rote, mix things up by having artist Mel Elliot's paper doll Bowie swap duds with fellow pop star / style icon paper dolls, Beyonce, Debbie Harry, and Rihanna.
(image by Electrical Sorbet )
There is merely ane David Bowie, but there can never exist too many David Bowie newspaper dolls. Make your own today!
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Ayun Halliday is an writer, illustrator, and Chief Primatologist of the Due east Village Inky zine. Follow her @AyunHalliday
Download the Consummate Organ Works of J.S. Bach for Free
"The best proof we have that life is good is that to each of us, on the day we are born, comes the music of Johann Sebastian Bach," writes J.M. Coetzee in Diary of a Bad Year. "Information technology comes equally a gift, unearned, unmerited, for free." While the respected novelist voiced that thought, every bit he often does, through a highly opinionated protagonist, I can't help just suspect that author and grapheme to some extent concur on this. Some of united states of america discover Bach right away, in childhood; others exercise information technology much subsequently. And whether or non we've earned or merited his music, it at present comes to us more freely than ever.
Take, for example, Bach's complete organ works, which yous tin download at no cost from Cake M Records. Performing them all, nosotros have Academy of Michigan'southward Dr. James Kibbie — "on original bizarre organs in Germany," no less.
They've organized the collections, released under a Creative Commons license, into a complete itemize (that you tin also search)—with downloadable groups (from trio sonatas and concerti to the Schübler Chorales and the Orgelbüchlein), as well as a list of evergreen familiar masterworks (such as the Toccata and Fugue in D Minor and the Passacaglia in C Minor). They've fabricated it easy to access and enjoy an important function of Bach'due south wide, hugely influential, and endlessly enduring torso of work. The question of whether life is ultimately good you'll take to settle for yourself, simply y'all can easily start gathering the evidence right here.
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Glenn Gould Explains the Genius of Johann Sebastian Bach (1962)
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Beethoven's "Ode to Joy" Movingly Flashmobbed in Spain
Colin Marshall writes on cities, linguistic communication, Asia, and men's manner. He's at work on a book almost Los Angeles, A Los Angeles Primer, and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.
JS Bach'due south The Well-Tempered Clavier Artistically Animated with Pulsing Neon Lights
The Well-Tempered Clavier, composed by JS Bach betwixt 1722 and 1742, remains one of the about innovative and influential works in the history of Western classical music. A website from Northern Arizona State U. sums upwardly what substantially made Bach'southward composition — a drove of 48 preludes and fugues spread across two volumes — so innovative, and then influential.
One of Bach'south primary purposes in composing these cycles was to demonstrate the feasibility of the "well tempered" tuning system that would permit for composition in every key.
Another purpose of the Well-Tempered Clavier was to reveal how modernistic and progressive composition could be informed by bourgeois ideas. The Well-Tempered Clavier is an encyclopedia of national and historical styles and idioms. Its influences range from the white-notation style of the Renaissance motet to the French manier. Ironically, half of this stylistic smorgasbord is expressed in fugue, a form that was out of date upon the cycle's completion. Bach was of course aware of this. His hope was to defend the venerable form by demonstrating how it could absorb contemporary flavors.
If you've never experienced Bach's piece, then I'd encourage you lot to listen to the 1960s recording past Glenn Gould. Or watch a section of the slice being performed on the All of Bach website — a site that will eventually put 1080 Bach performances online, for complimentary.
In a higher place, we accept something a little dissimilar. Created by director and visual artist Alan Warburton, this newly-released video takes a famous section of Bach's composition and animates it with pulsing neon lights. Describing what went into making this video, the Sinfini Music website writes:
Alan's incredible blueprint incorporated many thousands of separate CGI lights, every one of which had to be tailored to the precise duration of Pierre-Laurent Aimard's note strikes. 'I needed to find a way of automating the process of these turning on and off in time with the music,' says Alan. With no midi file of the performance available, he was faced with the seemingly impossible task of matching every note of a stand-in midi file to the recording, by ear solitary…
So it was a question of rendering the animated information in CGI inside the virtual space created especially for the animation. This too, was no mean feat, fifty-fifty for the army of deject-based computers that had a hand in the task. Each frame took 15 minutes to render because of the thousands of calculations involved in activating each low-cal also as the shadows, glows and reflections required to make the scene look truly life-similar.
Sinfini Music, which commissioned this project, has more on Warburton's creation here.
Hope this gets your weekend started on the right, er, note.
via The Kids Should See This
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Joni Mitchell Talks About Life as a Reluctant Star in a New Animated Interview
Yesterday, Blank on Blankdropped its latest animated video — this one featuring Joni Mitchell in conversation with record executive Joe Smith. In the interview originally recorded in 1986, Mitchell declares herself a reluctant star — someone who loved making music, simply never wanted fame, and all the lost privacy and normalcy that comes along with it. Smith talked with Joni and countless other musicians while researching and writing his volumeOff the Record. Y'all can still stream many of those interviews (for gratis) on iTunes and the Library of Congress website. We have more on that here.
If you would similar to support the mission of Open Culture, consider making a donation to our site. Information technology's hard to rely 100% on ads, and your contributions will aid us proceed providing the best free cultural and educational materials to learners everywhere. You lot can contribute through PayPal, Patreon, Venmo (@openculture) and Crypto. Thanks!
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Hear Sun Ra's 1971 UC Berkeley Lecture "The Power of Words"
Reading David Byrne'sHow Music Works the other day, I came across a passage where the Talking Heads frontman recalls his formative early on exposure to the distinctive compositions and persona (not that you can really split up the ii) of Sun Ra. "When I starting time moved to New York, I caught Sun Ra and his Arkestra at the 5 Spot, a jazz venue that used to exist at St. Marker's Identify and Bowery," Byrne writes. "He moved from instrument to instrument. At one indicate there was a bizarre solo on a Moog synthesizer, an instrument not often associated with jazz. Hither was electronic noise suddenly reimagined as entertainment!"
Some might have written off Sun Ra and his Arkestra as indulging in formless creative flailing, but in these shows, "as if to prove to skeptics that he and the band really could play, that they really had chops no matter how far out they sometimes got, they would occasionally do a traditional big band tune. And so it would be back to outer space."As in Sunday Ra's music, so in Sun Ra's words: equally the jazz composer bornHerman Poole Blount got increasingly experimental in his composition, the details of his "cosmic philosophy" underlying it, a kind of science-fiction-inflected Afro-mysticism, multiplied.
While many of Lord's day Ra's pronouncements struck (and still strike) listeners every bit a bit odd, he could withal ground them in a diversity of intellectual contexts as a serious thinker. We offered show of this last yr when nosotros posted the full lecture and reading listing from the course he taught at UC Berkeley in 1971, "The Black Man in the Cosmos." Now y'all can hear it straight from the homo himself in the playlist at the peak of the postal service, which contains his lecture "The Power of Words," too delivered at Berkeley in 1971, as part of the school's Pan-African Studies curriculum.
Just exercise heed the warning included with the videos: "Remember, Lord's day Ra was a 'UNIVERSAL Existence' not of this dimension or of a race category. With all his informative authorization, in some cases during these lectures, the content volition exist shocking to hear." Shocked or not, you may well come away from the feel convinced that not only did Sun Ra the musician understand the power of music, executed creatively, to take us to new artful realms, he also understood the power of words to take us to new intellectual ones. But you've got to be willing to take the ride into outer infinite with him.
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Colin Marshall writes on cities, language, Asia, and men'south way. He'due south at piece of work on a book near Los Angeles,A Los Angeles Primer, and the video seriesThe City in Movie theater. Follow him on Twitter at @colinmarshall or on Facebook.
The Music of Avant-Garde Composer John Cage Now Bachelor in a Free Online Archive
You don't know advanced music unless you lot know John Muzzle. And now we take some other rich, easily accessible online resource that can help u.s. get to know John Muzzle better. The new site is called Making the Right Choices: A John Cage Commemoration, and it has its origins in the celebration of Cage's 100th birthday put on past usher Michael Tilson Thomas and the New World Symphony in February 2013.
This Cage-devoted, Knight Foundation-funded site, in the words of Hyperallergic'due south Allison Meier, "presents a comprehensive overview of his career, from a watering can poured on national television to a rhythmic solo piano performance inspired by lost love," fabric from Cage's life and career as well equally material inspired by it, and of course "video and audio from the 2013 performances in Miami Beach, including some familiar and some obscure pieces from [Cage'due south] influential and experimental career of both music and staged silence."
You lot may call up when we featured Cage'due south 1960 performance ofH2o WalkonI've Got a Surreptitious. The site doesn't fail to include that classic tv set clip, but information technology also offers videos on the staging ofWater Walk today, from its direction and background to its rehearsal to the theatricality of its performance to the placement of the cameras filming it. You can find these and many other audiovisual explorations of the basics and bolts of Cage's work at Making the Right Choices' catalog of videos.
"John Cage genuinely wanted to open the beauteous experience of sound for anybody," writes Tilson Thomas in a piece on the composer. "Much of his piece of work could be described as kits to exist used in the cosmos of a performance that relies on the perceptions, imaginations and choices of the musicians. Information technology was a spiritual mission for him to create the opportunity for the performance to exist while at the same time to interfere with it every bit picayune or as subtly as possible." That claiming Cage set for himself keeps his work fascinating to us to this day — and as Tilson Thomas and the New Earth Symphony surely found out, it remains as much of a challenge every bit ever for those who choice information technology up today.
Visit Making the Right Choices: A John Muzzle Celebration.
via Hyperallergic
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Colin Marshall writes on cities, language, Asia, and men's fashion. He's at work on a volume about Los Angeles,A Los Angeles Primer, and the video seriesThe Urban center in Picture palace. Follow him on Twitter at @colinmarshall or on Facebook.
Peter Sellers Covers the Beatles' "A Difficult Day'southward Night," "She Loves You" & "Help!"
In the early sixties, Peter Sellers, one of the greatest comic actors of his generation, met perhaps the greatest musicians of the age, the Beatles, through their mutual producer George Martin. The particularly British sensibilities of the band and the histrion—slapstick and wordplay, emphasis and costume changes—had surprisingly wide appeal in the sixties, and a mutual history in their mutual adoration of English comedian and writer Spike Milligan.
Sellers rose to prominence on the Milligan-created BBC radio plan The Goon Bear witness, which the Beatles cited as a major influence on their work. Their constant patter in interviews, films, even rehearsals, their tendency to suspension into music hall vocal and trip the light fantastic toe, comes right out of Sellers in a style (see, for example, the bang-up comic player in a rare interview here), but was as well very much an expression of their own extroverted personalities. It stands to reason then that Sellers and the Beatles, as we wrote in an before postal service, "became fast friends."
And equally the Beatles had paid tribute to Sellers' comedy, he would return the favor, covering three of their most pop songs as but he could. At the pinnacle of the postal service, encounter Sellers do a spoken word version of "A Hard Day's Night" every bit Lawrence Olivier's Richard III. And to a higher place and below, he gives us several renditions of "She Loves Yous," in several different accents, "in the voice of Dr. Strangelove, once again with cockney and upper-crusty accents, and finally with an Irish twist. The recordings were all released posthumously between 1981 and 1983 on albums no longer in apportionment."
At that place are many more Beatles/Sellers connections. Earlier taping his "Hard Day's Nighttime" skit for Granada television special "The Music of Lennon & McCartney," Sellers had presented the band with a Grammy for the song, which won "Best Performance of a Vocal Group" in 1965. "Incidentally," writes Mersey Beat'due south Bill Harry, "the [Grammy] presentation was made on the studio ready of 'Aid!' and, interestingly, Sellers had originally been offered the script of 'Aid!' (Plainly under a different championship) only turned it downward." Sellers and the Goon Testify bandage had previously worked with Richard Lester, manager of the Beatles films and the John Lennon-starring How I Won the War.
Completists out there may have likewise heard the recorded conversation between Sellers and the Beatles that appears at the stop of a homemade version of the White Album, which circulated for years under the title The Peter Sellers Tape. That the band and the comedian got along then famously is no great surprise, nor that Sellers had so much fun reworking the rather silly, and infectiously catchy, pop songs of the Beatles' early career, bringing to them his battery of characters and voices. We've saved what may be Sellers' all-time Beatles cover for concluding. Beneath, hear him—in the voice of a lecturing vicar and with a bankroll choir—deliver "Help!" every bit a 45 RPM sermon.
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Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness
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